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As they enter, mirth ceases. A remarkable silence falls upon the group. Everybody looks at anything but Violet and her companion. "Don't talk like a penny illustrated," says Mr. Rodney in a very superior tone. "If ever you do see all you seem to anticipate, just tell yourself I am a cur, and despise me accordingly. But I think you are paying both yourself and me very bad compliments when you talk like that. Do try to understand that you are very beautiful, and far superior to the general run of women, and that I am only pretty well so far as men go." "How I wish it didn't!" says Mona, with a sigh..
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She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice. To quarrel with Geoffrey's people will be to cause Geoffrey silent but acute regret, and so for his sake, to save him pain, she quietly bears many things, and waits for better days. What is a month or two of misery, she tells herself, but a sigh amidst the pleasures of one's life? Yet I think it is the indomitable pluck and endurance of her race that carries her successfully through all her troubles. "Give me your hand again," says Rodney, after a pause; and when she gives it to him he says, "Do you know this is the nearest approach to real happiness I have ever known in all my careless, useless life? What is it Shakspeare says about the folly of loving 'a bright particular star'? I always think of you when that line comes to my mind. You are the star; mine is the folly." "You are tired," says he, tenderly..
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